More information to come.

More information to come.

Understanding the demands and limitations in this project is crucial in order to meet up with the customers’ high demands. Our approach is to design a state-of-the-art vehicle that considers the overall passenger experience both from a usability and from an estetical point of view.

The H³ Series Charger enables the charging of a wide variety of portable electronics while on the go and away from the grid. Durable and rugged, the product withstands rain, dust, cold and heat. Compact and portable, the product is appropriately sized and light weight to carry.

We have also provided interaction design for both their embedded systems, traditional desktop software and online services. All these systems – from the software integrated in the simulation environment to the online service used to track the trainees – have been designed to closely integrate with each other, despite the various platforms, in order to provide a consistent, efficient and friendly user experience.

This is the first use of the typeface “Pixbo” designed by Propeller and commissioned by General Motors Europe for the premium brands SAAB and Cadillac.

For us at Propeller, the clean, soft lines and elegant simplicity of the design make a perfect match for Asko’s Scandinavian heritage. The choices of surface materials appeal to the senses, and are durable and easy to clean, combining sensibility and sophistication into the whole integrated product family.

The clean, soft lines of the physical products are carried through in the interfaces, providing a clear and easily accessible user experience. Simplicity and elegance served as the guiding values for the design work, which resulted in a series of controls that blur the lines between product and interface.

The client’s logotype is constructed from the distinctive element, the bow that connects the ‘i’ with the ‘t’ in ‘ict’. In connection with a classic serif typeface it characterises the umbrella institution it is today. We were commissioned to design the whole corporate identity and accompanying guidelines for the client to implement and maintain the profile over the years to come.

The Orzone corporate identity is constructed from the distinctive element, the hospital cross or the plus sign to separate the ‘or’ (standing for operation room) from ‘zone’. It comes in three different weights; light, medium and bold. As a compliment to that there is the symbol which is the short version of the logotype. Orzone’s identity is as well applied to its subdivisional products orcamp, orguide, orplan and orkey. The corporate identity elements are integrated into the company’s internal and external communication platform.

Orcamp is a complete operation room offering a unique, modern and realistic way of performing individual as well as team surgical training. All devices in the room are realistically sized and shaped, and also resemble reality when it comes to interaction, movements and sounds. The equipment is designed in a unique Orzone identity with a clean and calm expression focusing on ease of use and flexibility.

Rexx is a contemporary and gently renewed version of an already established design tradition. With the characteristic circle like a sign in the grip and great attention to details, materials and proportions, the intention was to create a very distinct product.

Rayzer’s unique placement between the rear-view mirror and the windshield provides an elegant solution to the problems traditionally associated with auxiliary lights: awkward installation, risk of theft, and exposure to dirt, stone chips and parking accidents.

For the design, we looked for inspiration outside the auto industry, in sectors such as optical precision instruments.

The challenge was to create novel ways of visualizing and interacting with the ever increasing capabilities of the mobile platform, taking advantage of both the touch screen and traditional buttons and toggles.

Propeller has designed the show identity and titling sequences that supports and navigates the show. We used simple restricted editorial typography that frames the colourful motion of the fashion history. On-air during spring ‘08 on Wednesdays at SVT 2, 21.30. Enjoy!